Novation Bass Station Vst Serial Number \/\/FREE\\\\
Novation Bass Station Vst Serial Number
the v-station has a single output that can be set to send the output of whichever of its two sound engines is currently playing, or to play a selected preset. likewise, all parameters are set by the currently selected sound. this is most flexible, but it means if you are trying to hear what the bass sounds like with just the lead channel, you will miss out on the other two channel’s ‘bodies’ and ‘harmonics’ that would normally be played through the hi-fi module. this is a bit of a shame, but you have to take what you get.
the v-station’s main, and only, output is a standard composite video output, though it is also possible to output the synth’s audio directly to a mixer or amplifier. v-station can also be run via a midi network, and this is the best way to use it if you have a large, populated studio. in this mode, there are three other midi outputs (any number of midi-in jacks can be used for this) and midi-in and midi-out ports. the network system works well and is easy to configure and operate. midi-out allows you to send midi from v-station, which is handy if you need to control it remotely. midi-in allows a midi controller (such as a k-station) to control the v-station, and v-station’s controls can be mapped to the k-station’s knobs. the network gives you complete control over the v-station with a single computer. so you can create a patch, or play a preset, in one location, upload the patch to the v-station via the network, and listen to it on v-station at your desk or on another computer on the network.
the v-station’s gui is designed to be used with a mouse and the mouse scroll wheel, but its limited menus can be accessed via the keyboard. the first four buttons on the left of the main gui screen are labelled with the letters of the alphabet and are used to access the v-station’s most frequently used controls. the first of these (a) is a direct access to the edit screen; all the other letters (b, c, d, and e) jump back and forth between various parameters, while the 6th button (f) works with the currently selected v-station sound. the button next to f lets you reset all of the parameters to their default values.
v-station’s sound engine uses general instruments’ general midi specification, and the majority of the sounds are those that are available in the standard general midi sound set. the sounds are well designed, and rather than providing ‘patch’ banks for each synth sound, v-station provides only one, which is then divided into four channels. the standard general midi sounds (beats, basses, pads, pianos, string, brass, acoustic piano, percussion, etc) are divided into their own channels and are very well designed. you can also access sounds from other general midi banks, but you’ll need to add them to the ‘extra’ general midi sound set. this is a minor problem, but not one that is likely to be an issue for most v-station users. the v-station’s main gui consists of two main sections, the top section where settings can be changed and the lower panel with the ‘lcd’ and five graphical displays. the main gui can be open or closed by the footswitch, with the operating state stored in memory. the panel section displays a vertical panel with a ‘lcd’ below, the panel controls, a vertical window with a small graphical display below it and the parameters that can be modified. the lower panel’s five displays are simply the same as the panel’s. the manual has an extensive section on the bass station vst software’s data import/export routines, which can be used to load and save data from v-station software to a disk file. there are 10 different ways of exporting data from the bassstation, with a single export command which does most of the work. export types include all the settings of each of the bassstation’s 15 oscillators plus the waveform mode, unison voices and start phase. you can then choose to save this data as an audio or a midi file, and the manual recommends saving it as.wav files as these are the most portable on different platforms. within the.wav file there is also a header with meta-information about the file, such as the name of the bassstation, the waveform mode and unison voices used, as well as a text description of the current settings. the exported file format is certainly more complex than that of the k-station. there are four separate.wav files for each of the four bassstation oscillators, each containing as many as 15 tracks, with various settings for each of the parameters. a fifth track is used to hold the pitch and pitch mod data for each oscillator. a further four tracks hold the unison voices of each oscillator, and the remaining five hold all the remaining settings. it is possible to import.wav files into the bassstation via the import routine, and the midi meta-information can be read by the program. it is then possible to save the settings of each oscillator as a track on the waveform screen or use the preset editor, which is also described in the manual. 5ec8ef588b
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